Event Recap: Licensing Music for Film

Outline of presentation by David Pencil on 10/11/2010

• How to get music in your film:
-o Hire a composer – “work-for-hire”
-o Use Royalty-Free Music from a Production Library
-o License a pre-written song

• Licensing Requests/Negotiations
-o Pick a song you want to use.
-o Determine who the Artist, Production Company, and Record Company are. (they may be same person/entity)
-o Who holds the rights to the SONG? Production Company
-o Who holds the rights to the RECORDING? Record Company
-o Contact Production Company to obtain a Synchronization Rights Agreement
-o Contact Recording Company to obtain a Master Use Agreement
-o Negotiate with both regarding fees.
——Popularity of the song
——Placement in the film
——Length of play
——Scale of your film/music budget
——Special rates for limited use, festivals, etc.
-o Get appropriate legal forms signed and payments made. Major companies may provide their own. If you need to make one, templates can be found at: www.versusmedia.com/downloads.php

• Rights and Royalties
-o Intellectual property = PROPERTY. Someone owns it. If you just take it, you stole it.
-o You have to ask to use someone else’s property. Production/Recording companies own it.
-o You have to ask to perform someone else’s work.
——ASCAP / BMI – Performing Rights Societies
——Blanket licenses to venues.
——Venues pay into a pool. PRS’s draw from pool to pay composers.
——Cue Sheets need to be sent to ASCAP / BMI for composers to get paid by them.
——The Production Company of the film is responsible for this.
——Royalty-Free Music does not mean, don’t tell the PRS, it means you pay one fee.
-o Mechanical Royalty – Soundtracks
-o Reuse Royalty – if union musicians were used
-o Videogram License – specific to DVDs, etc. (may be covered in sync license)

• Final Thoughts
-o Use contracts all the time, and file them. You never know what might happen.
-o Entertainment Lawyers specialize in these kinds of contracts. If you’re unsure about what you are dealing with, contact one, or work with one to set up a contract.
-o “Deal Memos” are Plain-English contracts that spell out the key points in advance.

Related posts:

davidpencil

About davidpencil

Composer - Davidpencil.com David is a composer and musician working in Austin, a graduate of Rice University and the University of Cincinnati with Bachelors and Masters Degrees in Music Composition, and an experienced film and media composer. Of note, "FURY" and "The Natural Order of Things," two films by Van Blumreich that David scored, have been selections of the Texas Filmmakers Showcase in 2009 and 2010. David remains a valuable resource to the members of AFM, as he is often available to collaborate on their projects.
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2 Responses to Event Recap: Licensing Music for Film

  1. Pingback: Tweets that mention Licensing Music for Film – Austin Film Meet -- Topsy.com

  2. If you are looking for royalty-free music from a production music library to use in films and for other commercial purposes, try MusicRevolution.com https://www.musicrevolution.com. The MusicRevolution.com production music library has nearly 9,000 tracks of affordable, high-quality royalty-free production music. I am the co-founder.

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